From
left to right: Karen Kosasa, Stacy Hoshino, Eileen Martinez, Carole Hayashino, Paul DePrey, Frank Middleton, Scott Pawlowski, Barbara Moir, and Tom Klobe. |
In order to broaden our
understanding of exhibitions, the interpretational work that goes into creating
installations, and most importantly how the stories and messages on the walls
affect visitors, HMA’s Stacy Hoshino worked with Karen Kosasa, Director of the
University of Hawai‘i, Mänoa’s Museums Studies Graduate Certificate Program on
creating the format and invited three staff from Pearl Harbor’s WWII Valor in
the Pacific National Monument: Paul DePrey; Superintendent, Eileen Martinez,
Chief of Education & Interpretation; and Scott Pawlowski, Chief of Cultural
& Natural Resources, to represent their institution for a Critique Session
In addition, three museum professionals were asked to critique the galleries:
Tom Klobe, Professor Emeritus and Founding Director of the University of
Hawai‘i Art Gallery; Carole Hayashino, President and Executive Director of the
Japanese Cultural Center of Hawai‘i; and Barbara Moir, HMA Board Director, and
Education and Operations curator at Lyman
Museum , Hilo .
Critique
Session partipants enjoy the Pearl Harbor’s WWII Valor in the |
With discussants set, HMA
hosted its first Exhibition Critique of
the Pearl Harbor’s WWII Valor in the Pacific
National Monument
galleries on March 23, 2012, from 6:00 to 7:30 pm. Over 65 people, including
those from HMA’s membership, the general public, and museum studies students
gathered in the Pearl Harbor Memorial Theater. The critique session began with
the three museum professionals each offering their critique, and the Pearl Harbor staff were given the opportunity to respond
to their critiques. While some of the critiques were more questions, Carole
Hayashino shared her experience and personal viewpoint of the two galleries
"Road to War" and "Attack." Paul DePrey, Eileen Martinez,
and Scott Pawlowski were some of the key staff who worked on the galleries from
conception to realization, and they responded to the critiques given as well as
they told the audience of their stories and examples of what a complex and
challenging project it was.
Audience
members were able to tour the galleries, and later assembled in the Pearl Harbor Memorial Theater for the critique by panelists. |